The magician Ricky Jay, considered by many the greatest sleight-of-hand artist alive, is also a scholar, a historian, a collector of curiosities. Master of a prose style that qualifies him as perhaps the last of the great 19th-century authors, he has written about oddities like cannonball catchers, poker-playing pigs, performing fleas and people who tame bees. But probably his most enduring interest is a fellow polymath, an 18th-century German named Matthias Buchinger…

Buchinger (1674-1739) was a magician and musician, a dancer, champion bowler and trick-shot artist and, most famously, a calligrapher specializing in micrography — handwriting so small it’s barely legible to the naked eye. His signature effect was to render locks of hair that, when examined closely, spelled out entire Psalms or books from the Bible. What made his feats even more remarkable is that Buchinger was born without hands or feet and was only 29 inches tall. Portraits show him standing on a cushion and wearing a sort of lampshade-like robe. Yet he married four times and had 14 children. Some people have suggested that he also had up to 70 mistresses, but Mr. Jay says that’s nonsense.

Continue reading the main story at:  http://www.nytimes.com/2016/01/17/arts/design/ricky-jay-and-the-met-conjure-big-magic-in-miniature.html?_r=0