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Trick Or Cheat? A Pair Of Magicians Have Their Day In Court

Trick Or Cheat? A Pair Of Magicians Have Their Day In Court

houdini  By Samantha Beckett for Above The Law…   

In 1926, Harry Houdini did not have a happy Halloween. The world-famous magician and escape artist died on October 31, 1926, at the age of 52. The man who appeared to cheat death countless times died of peritonitis, the last in a month-long series of injuries and ailments that included a ruptured appendix — the result of surprise punches to his stomach from a McGill University student. This week, On Remand looks back at The Great Houdini and the cases of two magicians who used the legal system to try to take their secrets to the grave…

Born in Budapest in 1874, Houdini (born Erik Weisz) immigrated with his family to Appleton, Wisconsin, at the age of four. Five years later, he joined the circus as a trapeze artist, launching his career as a performer. By the age of eighteen, young Erik Weisz had left the circus and his name behind. Adopting the moniker Harry Houdini, he embarked on a career as a professional magician and escape artist. Early in his career, Houdini focused on handcuff and prison escapes. (In 1902, Houdini escaped from the federal prison cell in Washington that once held President Garfield’s assassin, Charles Guiteau.) He then moved on to escapes that were more dramatic — and more dangerous. Houdini’s death-defying escapes included freeing himself from a sealed milk can, “Chinese water torture cell,” and a straightjacket while suspended from a crane. Houdini also performed several variations of a “buried alive” stunt…

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Teller Awarded $545,000 in Magic Fight..

Teller Awarded $545,000 in Magic Fight..

By Matt Heuer for Courthouse News Service..

LAS VEGAS (CN) – A federal judge ordered a Belgian magician to stop selling a magic prop that infringes on a trick created by Raymond Teller, of Penn & Teller, and awarded Teller $545,000 in damages and costs.
     Teller prevailed in a copyright case that accused Gerard Dogge of stealing his “Shadows” magic trick and selling it online.
     Dogge also goes by the name Gerard Bakardy. He demonstrates the trick-designated as copyrighted by him – on a YouTube clip called “ The Rose and Her Shadow .” At the end of the 9-minute clip, Bakardy offers to sell the props needed to perform it.
     Teller claims that his own magic trick, called “Shadows,” uses a “spotlight trained on a small vase containing a single flower, a rose, which is set on a table. The light falls in such a manner that the shadow of the rose is projected onto a white screen” and “the magician enters the otherwise peaceful scene with a knife and proceeds to use it to dramatically sever first the leaves and then the petals of the rose’s shadow on the screen.
     "Slowly, correspondingly, one by one, the leaves of the real rose casting the shadow fall to the ground, breaking from the stem at exactly the point where the magician severed the shadow projected on the screen.”
     U.S. District Judge James Mahan on March 20 granted Teller’s motion for summary judgment on copyright infringement liability but denied his motions for unfair competition and damages.
     Mahan said Dogge did not participate in pretrial procedures and refused to attend the trial in person, so Teller asked the court for a default judgment against Dogge for willful infringement and unfair competition, a permanent injunction and attorney’s fees.
     Mahan found that a “ default judgment is appropriate ‘when a party against whom a judgment for affirmative relief is sought has failed to plead or otherwise defend.” On July 9 he adopted the magistrate judge’s recommendation to impose sanctions in accordance with the Federal Rules of Civil Procedure 16 and 17.
     Teller also sought statutory damages, which Mahan said could range from $750 to $150,000.
     Because Teller sought a permanent injunction, Mahan said, the maximum statutory amount is “unnecessary to deter” Dogge’s “further violations.”
     "It is unclear whether defendant sold any of the offered illusions,“ Mahan found. "Because this court may award damages ‘even for uninjurious and unprofitable invasions of copyright,’ the court finds damages in the amount of $15,000 appropriate.”
     In approving a permanent injunction , Mahan said Teller “is likely to suffer irreparable injury” because Dogge’s “infringement is likely to continue.”
     Teller asked for $989,568 in attorney’s fees.
     Mahan found Dogge to be “exceptionally difficult and unresponsive, necessitating numerous motions and responses” to force his cooperation.
     Mahan awarded Teller $30,000 in costs and $500,000 in attorney’s fees for a total judgment against Dogge of $545,000.

http://www.courthousenews.com/2014/10/08/72232.htm

Magicians Penn & Teller on Houdini, Graceland and their first Memphis show in 17 years..

Magicians Penn & Teller on Houdini, Graceland and their first Memphis show in 17 years..

 By Jody Callahan for the Commercial Appeal – Memphis

On Sept. 1, 1923, the legendary Harry Houdini thrilled Memphis with his acts of derring-do in a show at the Orpheum Theatre.

Ever the master showman, Houdini invited Memphians to bring their own hammers and nails to lock him inside a box. They did, and of course, the box didn’t hold him for long.

Earlier that day, to drum up ticket sales, Houdini dangled in a straitjacket from the roof of the former Commercial Appeal building, as 2,000 Memphians gathered in Court Square held their collective breath. Not to worry, as Houdini pulled one arm, then the other, out of the straitjacket and was soon lowered to the ground, unharmed and basking in the applause.

On Friday night, noted magicians Penn and Teller will play the hallowed ground where their idol once performed as they return to Memphis for the first time in 17 years. Even though the original Orpheum burned down a month after Houdini’s show, the new building, erected in 1928, sits on the same site…

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Magic News doesn’t generally publish stories about upcoming performances.. but.. this article contained a lot of interesting and historical information, so, I’m making an exception… Editor

PENN JILLETTE AND “WIZARD WARS” MAGICIANS EXPLAIN HOW MAGIC WORKS AND WHY IT’S STILL RELEVANT

PENN JILLETTE AND “WIZARD WARS” MAGICIANS EXPLAIN HOW MAGIC WORKS AND WHY IT’S STILL RELEVANT

By Dan Solomon for Fast Company..

If you think about it for more than a few minutes, the fact that magic is still a popular form of entertainment in 2014 is kind of surprising. When the first magic theater opened in Paris in 1845, people had few opportunities to see the impossible. Right now, without leaving your chair, you can watch a lifelike giant lizard stomp the hell out of San Francisco; you can control your favorite football players on a photorealistic gridiron; you can send a message around the world in seconds flat. With all of these things in mind, the idea that magic is still relevant to people seems hard to imagine.

But magic is relevant. Top magicians still sell out theaters, Hollywood scores regular blockbusters with films about magicians, and–as evinced by shows like SyFy’s Wizard Wars and the CW’s Penn & Teller: Fool Us–the reality of an illusion crafted by sleight of hand and misdirection can catch our eyes even when that same screen could also be used to show big-time special effects.

No one knows magic–and how it stays relevant–like Penn Jillette, and he can trace the evolution of the form in recent years from David Copperfield (“he had a debonair quality that magicians jumped on”) to Doug Henning (“he created the kind of casual hippie magician”) to current stars like David Blaine and Criss Angel…

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