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3 Female Magicians Tell Us What It’s Like To Be A Woman In That World..

3 Female Magicians Tell Us What It’s Like To Be A Woman In That World..

When you picture a magician, what comes to mind?

Is it a fictional character like Steve Carrell in The Incredible Burt Wonderstone, or Edward Norton in The Illusionist, or Adrien Brody in Houdini? Or is it contemporary real-life magicians David Copperfield, Criss Angel, or David Blaine?

One thing you more than likely will not picture is a woman. But, perhaps it’s time we did…

Women were the earliest sorceresses, muses, and practitioners of magic. They dealt cards in parlors, they tricked audiences, and they entertained. One such woman was Adelaide Hermann, who rose to fame in the late 19th century. Starting off first as an assistant to her magician husband, Alexander Hermann, she took over the show after his death. Nicknamed the Queen of Magic, she proved to audiences, night after night, that a woman’s place was in the spotlight, not in the shadows.

Yet for some reason, men have primarily represented the world of magic. The brief glimpses of women in films about magic paint them as minor or supporting characters, or the damsel in distress. At best, they’re the stage assistant, done up in overly sexualized outfits, adding little, to no fervor to the performance.

Even the recently released film, Now You See Me 2 couldn’t get it totally right. The movie’s poster was mocked on social media for its glaring lack of women. It featured a sole female, Lizzy Caplan, promoting people to rename the film Now You See Men 2.

Caplan told Refinery29 that while preparing for her role in the film, she tried to find female magicians to talk to with no avail. “There are so few of them,” she told us. “Not only are their numbers small, but the vast majority of them have to incorporate this overly sexualized thing, which is really strange.”

Once a woman successfully makes a name for herself in the magic business, she is often faced with a series of choices on how to be perceived. There is an ongoing controversy within the industry itself because women are not sure how to be participatory in magic without capitalizing on sex. The common question seems to be, How can I be a female magician without doing a sexualized performance? And the answer, like a magic trick itself, is not obvious. These are gray areas of the magic industry that only women have to deal with. Read more..

http://www.refinery29.com/2016/06/113081/female-magicians-illusionists

How the glamorous assistants are taking over: Women make better magicians than men, claims president of the Magic Circle..

How the glamorous assistants are taking over: Women make better magicians than men, claims president of the Magic Circle..

Women are taking a leading role in magic which could soon see men ‘dressed in Spandex’ and being sawn in half after nearly a century of being excluded.

The Magic Circle was founded as a gentleman’s club in 1905 but women were not allowed to join until 1991.

But after such a long time being excluded, the club’s president Scott Penrose now thinks that women could become better magicians than men.

In an interview with The Independent, he said that the tide is turning on the male-dominated art, and that women’s bodies may even be better suited to certain tricks. Read more and watch the videos at:

http://www.dailymail.co.uk/news/article-3190207/How-glamorous-assistants-taking-Women-make-better-magicians-men-claims-president-Magic-Circle.html

Champions of Magic: Jade wins over fans in male-dominated industry..

Champions of Magic: Jade wins over fans in male-dominated industry..

“My first outfit was a tuxedo. Because that’s what all the guys were wearing,” says Jade, headliner at the upcoming Champions of Magic show in San Francisco. It didn’t take long before she realized she could carve her own trail in an industry largely dominated by men. “Wait a minute, I thought, … I can wear a dress, or whatever I want. I’m a woman!” In 1990 she won the “International Brotherhood of Magicians’ Magic Competition.” Over the next two decades Jade would rise to the top, becoming a globally recognized personality. Employing an act featuring stunning costumes — many traditional Chinese gowns such as qipaos (cheongsams) and dragon robes — whimsical and inspiring music, and tricks that emphasized the use of the entire stage, and even the audience, Jade soon found herself with a loyal following. Many of those were young girls. “They weren’t many female mentors in magic at the time,” she notes. Then came the invitation… … to perform for the royal family of Monaco. Read more..
http://www.starkinsider.com/2015/07/champions-of-magic-jade-video-interview-san-francisco.html?utm_content=bufferf0ec8&utm_medium=social&utm_source=facebook.com&utm_campaign=buffer

‘We’re more than just scantily clad assistants’: meet the woman making magic’s glass ceiling disappear..

‘We’re more than just scantily clad assistants’: meet the woman making magic’s glass ceiling disappear..

There is a line in Michael Chabon’s novel The Amazing Adventures of Kavalier and Clay that seems to sum up our centuries-old love affair with magic: “The magician seemed to promise that something torn to bits might be mended without a seam,” he writes. “That what had vanished might reappear, that a scattered handful of doves or dust might be reunited by a word, that a paper rose consumed by fire could be made to bloom from a pile of ash.”

Indeed, while entertainment trends have come and gone (ostrich racing, anyone?), our appetite to be astonished by illusions, alchemy and mind tricks is insatiable. Long before David Blaine was starving himself in a plastic box, the Egyptians and Romans were disappearing balls beneath cups – and Simon the Sorcerer cornered the market in levitation more than 2000 years before Dynamo came along.

While it is an entertainment built on defying the impossible, however, magic has proved wholly inadequate at escaping one particularly archaic set of shackles. Go through any roll call of the magical greats, from Harry Houdini and the Great Lafayette to Penn & Teller and Derren Brown, and the lack of women is stark. They haven’t been totally absent – they consistently appear as scantily clad assistants, holding hoops of fire or being sawn in half as some sort of living prop – but they have rarely been the ones performing the illusion. Read more…   http://www.theguardian.com/stage/2015/jul/20/katherine-mills-magician-women-magic