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Pasteboard Revelations – A Review

Pasteboard Revelations – A Review

PASTEBOARD REVELATIONS is like the big brother of the past several ebooks by Paul Lelekis. Certain books strike me certain ways, and Pasteboard Revelations strikes me as one of my very favorite of Paul’s many magical ebooks.

There is definitely something for everyone. The ebook begins with an effect that, when performed properly, will stand out in the minds of both lay people and magicians alike. Videos are provided to cover a couple of false shuffles and cement the visual aspects.

Another two effects use a killer cyclical stack that has fallen from popular grace simply because another cyclical stack ‘seems’ a tad easier.. although it’s not.

Mathedology and Nuclear Fusion both use different methods to reveal cards selected by two different spectators. These are ideal for couples.

Cardbox Magic uses a simple technique I’ve used for many years.. and I can attest to its power when performed for lay folks. It’s ideal for walk-around and restaurant work, as a table is not needed.

Marlo Poker Deal is different. A table IS needed.. but you’ll certainly get a ton of bang for your buck.. Paul has simplified this deal from the original to both make it easier and, in my opinion, more visual.

I recommend Pasteboard Revelations to anyone who wants several professional effects for near nothing..

Table of Contents…

WOW! – A deck is shuffled and a card chosen and returned. The performer shuffles the deck well…yet all the red cards are separated from the black cards and the “red chosen selection” is amongst the blacks! Videos are provided to help you master the false shuffles.

RIVERBOAT STACK – TWO EFFECTS INCLUDED! Learn the best cyclical stack known, with an ESP effect, and another impossible effect.. Like the Stebbins Stack.. except better…

NUCLEAR FUSION – A fusion effect for couples or friends that will give them a ‘forever’ souvenir for “good-luck”! This is the best and most logical fusion effect ever! Perfect for restaurants..

CARD BOX MAGIC – This quick effect seems impossible! Have a card signed and lost in the deck. Place the deck into the card box. Place the cased deck under a hanky or in your shirt pocket and INSTANTLY remove the signed selection! Don’t let its simplicity fool you, I’ve used it successfully for years..

MATHEDOLOGY – Yet another great effect to play for a couple or friends! This is a coincidence effect that NO ONE will ever think is mathematically based…but it is! Very clever! One of those effects you don’t believe will work… until it does..

MARLO POKER DEAL – An ingeniously clever Poker Deal that is SO easy to do, you won’t believe it! A spectator picks out ANY five cards he wants from a deck of cards and the
performer “explains” how to deal out a winning hand! The five cards picked out by the spectator turn up to be a Royal Flush in Spades! NO PACKET SWITCHES! Just clever as hell! Get your patter down, and you’ll use this over and over..

This PDF is $10.00 at:
https://www.lybrary.com/pasteboard-revelations-p-922714.html

Review by Rick Carruth..

ROGUE – Easy To Do Mentalism with Cards – A Review

ROGUE – Easy To Do Mentalism with Cards – A Review

ROGUE Easy To Do Mentalism with Cards

by Steven Palmer and Bigblindmedia:

A new product by Bigblindmedia, ROGUE, uses a unique set-up to create mental miracles with cards. Here’s the Ad Copy….Product Image

On ROGUE Steven Palmer teaches you how to use a pack of cards to perform absolute miracles. With Steven’s brilliant psychological chicanery and a handful of easily achievable moves you will be armed and ready to unleash what looks like REAL mindreading powers.

Central to this project is VOID – Steven’s acclaimed ‘thought-of-card’ revelation. This is a true POWERHOUSE of a trick. It might just be the fairest ‘think a card’ you will ever do with a normal deck. ‘Void’ gives you all the power of the ‘Koran Deck’ or the ‘Mind Power Deck’ but with a (slightly tweaked) regular deck of cards!

Key points to remember:
Easy set up
A regular deck with no gaffs or duplicates – just some simple tweaks!
Quick reset – ideal for strolling performers
Suitable for ALL skill levels
Looks incredibly fair
A reliable method!!!
You’ll also learn the DEVIANT SHUFFLE – Steven’s patented false shuffle that looks ridiculously fair but keeps everything exactly where you need it. AND then you’ll master the breather crimp with Steven’s ingenious touches and extra layers which take a great tool and make it indispensable.

And that is just the start – ROGUE features another SEVEN brilliant routines!

FEATURES:
Void (Version I and II)
Thought of Monte
Heroes & Villains
Technically Missing
Memorabilia
Out of My Sight
Medley
Deadcut

My Take:

I am such a fan of mental magic.. and I call this ‘mental magic’ as opposed to ‘mentalism’ in deference to a couple of friends who are full-time mentalists. Regardless, Steven has produced a well-thought-out video, almost 2 hours and 30 minutes long, full of fresh and original thinking. It’s difficult to be truly original, but I would say ROGUE is on the right side of that debate by leaps and bounds.

First.. Steven goes to lengths to help buyers understand the physical side of his effects. I do notice the ad copy states ‘no gaffs or duplicates’. That’s a slightly grey area, as a gaffed card IS used.. but it’s not a part of the 52 card deck. It’s a Joker that’s modified to help set up VOID. Not a big deal.. but it is something you’ll need to take a few minutes to create. Another card will be, as they say, ‘tweaked’. I think it’s fair to call a card with a breather crimp ‘tweaked’. I’m not being picky here. Just letting you know that a couple of small modifications are employed to achieve big effects.

Just as with other mind reading decks, a set-up is used. The set-up is what makes the impossible… possible. Steven’s Deviant Shuffle, a false shuffle, makes everything totally fair and disarms the spectator, allowing you to work your magic.

I really like the premise behind VOID, and VOID provides the set-up for the other seven effects. There is a common thread here, and it’s not complicated to learn or remember. Most important is a brief statement that subconsciously directs the spectator in a certain direction and makes your work so much easier. I wish I could tell you more, but…

The basis of VOID allows the performer to know the exact card selected by the spectator from a stack of approximately ten to twelve cards. Several of the effects expand on this premise, but use the same basic method. VOID also allows you to work with a stacked deck that has been ‘almost’ freely shuffled before the effect begins. The only bit of subterfuge on your part is being able to release a few cards from one stack before the cards begin to interlace.. Simple stuff.

MEDLEY is probably my favorite. It’s presented as a gambling demonstration, but still has the mental magic feel, plus a rapid fire presentation that keeps the spectator off-kilter and confused… in a good way. Everyone will have their own favorite.

As for the video, it’s typical BigBlindMedia quality… filmed in what appears to be a studio of some sort, with help from Liam and a few female spectators. Lighting is fine, camera angles are fine.. and multiple cameras are used.. and aside from a slight echo, audio is good. No complaints and no reason to NOT buy the DVD for technical reasons. (The head shot on the back wall is a little disturbing.. in a cool way.)

There is nothing required of consumers beyond advanced beginner moves. If you’re reading this, chances are you are more than qualified to perform all eight of these effects. If you would like to add several strong mental magic effects to your repertoire, I recommend ROGUE.

Available from magic dealers who carry the Murphy’s Magic line of products..
$30.00 – Available instantly as a two part video download…

https://www.murphysmagic.com/product.aspx?id=63100

Potter & Potter Auction featuring Freakatorium..

Potter & Potter Auction featuring Freakatorium..

Potter & Potter Auctions’ Can’t-Miss Late Fall Sales Event To Present
The Full Contents of Johnny Fox’s Freakatorium.

Fox’s Barnumesque museum featured natural and unnatural oddities, many related to circus sideshow performers and attractions, as well as historical objets d’art, stage illusions, photographs, and tabloid style ephemera.

Chicago, Il, – Potter & Potter Auctions is pleased to announce their almost 700 lot Freakatorium: The Collection of Johnny Fox Auction to be held on Saturday, November 10, 2018 starting at 10am at the company’s gallery, located at 3759 N. Ravenswood Ave., Chicago, IL 60613. Renowned sword swallower, magician, and performer John Robert Fox (1953-2017) amassed a huge spectrum of grotesque, bizarro, and surreal curiosities which he displayed at his Freakatorium, “El Museo Loco,” in New York City from 1999-2005. All of these wonders will be on display and available for preview on Thursday, November 8th and Friday, November 9th from 10:00am to 5:00pm in the Potter & Potter facility.

Many of the sale’s top lots are associated with the big top and other traveling entertainment venues of the 19th and 20th century. Lot #1, a brightly painted sideshow banner by the “Picasso” of circus art Fred Johnson (1892-1990) is estimated at $4,000-6,000. Titled Freaks Past and Present, this c. 1950 piece from the O’Henry Tent & Awning Company of Chicago measures 115” x 316” and depicts an array of famous sideshow acts, including a three-legged man, a two-headed man, a frog boy, and others. The images are flanked by bright panels of text. Lot #15, a Snap Wyatt Studios c. 1945 Freaks. Alive entrance-type canvas sideshow banner is estimated at $3,000-5,000. This 100-½” x 342” masterpiece features sideshow attractions such as the alligator skin lady, a conehead, a sword swallower, and more. It is branded with two stenciled Snap Wyatt logos. Lot #338, a color lithograph depicting Jumbo the elephant giving kids rides on his back is estimated at $3,000-5,000. This c. 1882 linen backed poster measures 37” x 31” and was produced by Strobridge of Cincinnati. Lot #334, a linen backed color lithograph entitled P.T. Barnum’s and Great London Combined. Santa Claus in His Royal Chariot of State is estimated at $1,200-1,500. This c. 1880s example, also by Strobridge, shows Father Christmas distributing toys to a crowd of children, along with two reindeer and a driver. It measures 35-¼” x 29-¼”. And lot #56, thirteen signs for the Freakatorium – based on legacy circus and sideshow themes – are estimated at $400-600. These sheet metal signs were painted by Adrian Clara and include a 39” x 53” “Cabinet of Curiosities” sign and a dozen smaller exhibition placards.

Fox’s New York City Freakatorium museum remarkably showcased over 1,000 oddities within a 500 square foot venue. These objects ranged from antique to modern, organic to configured, and functional to made purely for shock value.

Items featuring human or animal body parts have a leg up in this collection. Lot #559, a c. 16th century pre-Columbian human skull from Oaxaca, Mexico is estimated at $1,000-1,500. Its eyes are covered in seashell discs. The skull is believed to be of the Zapotec culture, an indigenous pre-Columbian civilization that flourished in the Valley of Oaxaca in Mesoamerica over 2,500 years ago. Lot #293, a collection of seven life sized wax arms and hands from various museum wax figures is estimated at $80-125. These were likely made by Gems of London in Great Britain in the 1960s. Lot #645, a human head on a sword sideshow illusion, is estimated at $500-1,000. This curiosity features a disembodied human head – alive, talking, and moving – sitting on the blade of a sword resting across the arms of a large wooden chair. And lot #281, a 12” long “Fiji Mermaid” made by Mark Frierson of Tampa in c. 1999 is estimated at $300-400. This desiccated, mythical creature – first introduced to the world in 1842 by P.T. Barnum at his Barnum’s American Museum – is assembled from a hairy man’s head, human arms, lizard like claws, a torso with exterior ribbing, and a fish tail.

Can’t-look-away antiquities, props, and artifacts from the Freakatorium are certain to also capture worldwide attention through this sale. Lot #282, a collection of various wooden items carved by Charles Tripp (1855-1930) using his feet is estimated at $1,000-1,500. Tripp was born without arms, but nevertheless managed to become a skilled carpenter and calligrapher. The lot includes two pairs of wooden scissors, a wooden chain with twenty-six links and a three-piece clasp, two carpenter’s dividers, a monogram for James H. Boyer – the person for whom the items were carved – as well as two postcards and a cabinet photo. Lot #533, a 1763 coffin-shaped wood container for holy relics, is estimated at $800-1,200. This reliquary is decorated with a glass front bounded by gilt roping and oval compartments and includes ex-ossibus relics of eight saints. Its back features an attestation from the Abbott of St. Matthias’ Church Parish in Genoa, Italy, dated August 14, 1763, indicating that the relics were authenticated on April 11, 1619 by Abbott D. Fabiano Richerio. Lot #247, a finely made miniature boot reportedly owned by Charles S. Stratton, better known as Tom Thumb (1838-1883) is estimated at $500-750. The footwear is detailed with rose-colored leather lining and a floral pattern stamped in the sole. It measures about 6-¾” high and 4-¾” long and is accompanied by a typed exhibit card bearing a brief bio of Tom Thumb, and stating, “This boot was worn by him.” And lot #650, Fox’s “Cracker Shooting” helmet prop, is estimated at $400-600. This repurposed WWI helmet was used by Fox for his version of the stunt made famous by Vaudeville showman Kar-Mi (Joseph Hallworth, 1872-1956), in which the performer swallows a loaded gun barrel, then shoots a cracker off of the head of an audience volunteer with the bullet.

This Freakatorium auction, like many of Potter & Potter’s world-class events, includes a number of important archives. These collections of primary source materials are ideal for academic institutions, historical societies, specialty museums, or independent researchers. Lot #261, an archive of materials from Robert Marshall, better known as Marshall the Mystic (1876-1943) is estimated at $2,000-3,000. Marshall performed variously as a hat juggler, magician, pantomimist, and medical lecturer. This collection includes approximately 100 photographs, as well as snapshots, postcards, glass negatives, drawings, and about 100 additional pieces of performance ephemera. Lot #39, an archive of Johnny Eck “Half Boy” materials from the 1920s -60s is estimated at $800-1,200. John Eckhardt (1911-1991) was born without the lower half of his torso yet managed to overcome this enormous disability to become a world-famous sideshow performer, as well as a movie actor, artist, musician, photographer, illusionist, penny arcade owner, Punch and Judy operator, and expert model maker. Eck’s archive includes thirteen original photographs, two original typed signed letters, and additional photocopied letters. And lot #264, an archive of research on human oddities collected by William Woodworth of Cambridge, Massachusetts, is estimated at $800-1,200. This cache, collected over the 1880s-1920s timeframe, includes manuscripts, clippings, photographs, cabinet cards, and letters detailing Woodworth’s study of human oddities, including Siamese twin and humans with missing legs and other mutations.

Books, photographs, drawings, and other ephemeral items helped the Freakatorium tell its stories through these time-capsule materials. Lot #241, a book entitled Greatest Wonder On Earth. Jo! Jo! The Dog Faced Man. published in c. 1882 by Popular Publishing of New York is estimated at $250-350. This rare, eight page book features hand-colored pictorial wrappers and was most likely sold after Jo Jo’s (Fedor Adrianovich Jeftichew, 1868-1904) performances on the Barnum, Bailey & Hutchinson circus sideshow. Lot #94, two silver prints of albino sword swallower Lady Sandra Reed from c. 1970, are estimated at $1,000-1,500. They are attributed to photographer Diane Arbus (1923-1971) and include one shot of the performer kneeling and the second with a sword raised in preparation for the attempt. The prints are believed to be unique, and are accompanied by a note of provenance by Reed. Reed held the world’s record for the number of swords swallowed by a woman. And lot #390, a whiteprint plan for Coney Island’s famous “The Whip” carnival ride, is estimated at $600-800. Originally patented and manufactured in 1915, this plan details the 1918 iteration of W.F. Mangels’ most famous ride invention. This sale includes about ten early 20th century ride plans created by Mangels for Coney Island’s emerging entertainment business.

This grand event rounds out with robust offerings of taxidermy, antiques, artwork, and selections that simply defy conventional categories. Lot #245, a brass “Champion Strong Woman of the World “ trophy belt presented to Minerva (Josephine Blatt., c. 1869-1923) by Richard K. Fox of The Police Gazette in 1893 New York is estimated at $3,000-5,000. Lot #43, a detailed illustration of a barber and wig shop, executed entirely in human hair, is estimated at $600-900. This French work, dating from the 19th century, measures 26” x 22-½” and features a distracted barber with straight razor in hand, a wary customer, a wig restorer at work, and other characters. And bidders are certain to lock horns over lot #287, a “unicorn skull” made by artist Mark Frierson in 1999. It was the displayed at the Freakatorium under a banner reading “skulls are extremely rare and this particular specimen is only one of a handful known to exist in the world today. It was uncovered from beneath the ruins of an ancient medieval castle in Europe.” The unicorn skull is estimated at $500-700 and includes its original Freakatorium signage.

According to Gabe Fajuri, President at Potter & Potter Auctions, “Johnny Fox was a true lover of the sideshow, circus, and traveling showbiz life he lived, paying homage to and studying the stories of his predecessors at his museum and through his collection. That shows through on every page of the auction catalog, which is as much a tribute to Johnny himself as it is a sale of unusual artifacts. Johnny’s collection was truly unusual and defies categorization, which means there is something for every lover of the unusual in this sale, from banners and broadsides, to chupacabra dioramas, tattooed man photos, sideshow banners, and relics from the best of Barnum’s circus sideshows. This is one sale without comparison – and that’s no ballyhoo.”

Potter & Potter, founded in 2007, is a Chicago area auction house specializing in paper Americana, vintage advertising, rare books, playing cards, gambling memorabilia, posters, fine prints, vintage toys, and magicana – antiques and collectibles related to magic and magicians. The company’s next sale, featuring hundreds of important vintage travel posters, will be held on December 1, 2018. For more information, please see www.potterauctions.com. Follow us on Facebook (potterandpotterauctions), Twitter (PnPAuctions), and Instagram (potterauctions).

Media contact:
Gabe Fajuri
President, Potter & Potter Auctions
gabe@potterauctions.com or 773- 472- 1442

Captions:
Lot
Item
Low Est.
High Est.

1
Freaks Past and Present
$4,000
$6,000

15
Freaks Alive
$3,000
$5,000

39
Johnny Eck “Half Boy” Archive
$800
$1,200

43
The Barbershop Lesson, French Hair Art
$600
$900

56
Hand-Painted Signs for Johnny Fox’s Freakatorium
$400
$600

94
Albino Sword Swallower
$1,000
$1,500

241
Greatest Wonder On Earth. Jo! Jo! The Dog Faced Man
$250
$350

245
Minerva Champion Strong Woman Trophy Belt
$3,000
$5,000

247
Tom Thumb’s Leather Boot
$500
$750

261
Marshall the Mystic Archive
$2,000
$3,000

264
Archive of Research on Human Oddities
$800
$1,200

281
Fiji Mermaid
$300
$400

282
Charles Tripp “Armless Wonder” Carvings and Correspondence
$1,000
$1,500

287
Unicorn Skull
$500
$700

293
Arms and Hands for Wax Museum Figures
$80
$125

334
P.T. Barnum’s and Great London Combined
$1,200
$1,500

338
Jumbo the Pride of the British Heart
$3,000
$5,000

390
Plan Number 2 “The Whip” Whiteprint
$600
$800

533
A 1763 Coffin-Shaped Reliquary
$800
$1,200

559
Pre-Columbian Human Skull
$1,000
$1,500

645

Head on Sword Sideshow Illusion
$500
$1,000

650
Johnny Fox’s “Cracker Shooting” Helmet
$400
$600

The Wealthy Magician – A Review

The Wealthy Magician – A Review

The Wealthy Magician: Manifesto for Professionals by Richy Roy
Master the Business of Magic

I’m a marketing junkie. I’ve published articles and newsletters for years detailing marketing techniques. That said.. when I received The Wealthy Magician, I couldn’t wait to dig in and see what Mr. Roy had to say about marketing and magic. Here is the ad copy…

“Start living your dream as a professional entertainer by learning the strategies and tools used by leaders all around the world, as it applies specifically to magicians of all types. The skills and abilities gained from this book will give you the edge over your competitors and bolster your finances.

The best part is, you don’t need to be a grand illusionist or have to travel the world to become a full-time working professional magician. Also, you certainly don’t need to perform in cruise ships, casinos, or sold-out theaters to earn a six-figure income as an entertainer. You can take these developed strategies to start building your sustainable business in your own hometown, regardless of its size or how much competition works in your area. Learn what you are truly worth and why you’re not charging nearly enough for your services, regardless of what type of magician you are.”

You will learn:

– What your price tag should be
– Why you’re not charging enough
– Why you’re worth every dollar
– How to add value to your services
– How to master social media marketing
– The best way to negotiate higher prices
– And so much more!

My Take….

At 331 pages and 85 chapters.. THE WEALTHY MAGICIAN is quite an undertaking. Then again, marketing is quite the subject. Richy is determined to help everyone, and willing to tackle almost every subject you can think of concerning our art.

I’ve read many a book on marketing, whether it was marketing yourself, a product, or a cause. Many of the same techniques that apply to selling a product, for example, apply to selling yourself. And, as magicians, that’s exactly what we do. Why should someone hire me over the magician on the other side of town? What can he offer that I can’t? Unfortunately, many magicians think it comes down to price and who is more affordable? That could be true, but if you know anything about marketing, you understand that good marketing takes price out of the equasion. Our ‘goal’ of offering the best price is perhaps our biggest downfall.

The Wealthy Magician is divided into three parts: (1) Pricing your Act. (2) Marketing your Act. and (3) Selling your Act.

Richy is a firm proponent of getting the highest price possible for your act. He spends page upon page guiding you in how to value yourself. Unfortunately, most magicians undervalue themselves out of fear. They are afraid of asking for what they want.. and instead ask for what they think they can get. Richy feels the typical magician is caught in a mindset of what he thinks he should be worth, as opposed to what he’s actually worth. Unfortunately, many magicians arrive at the figure of what they ‘think’ they’re worth based on what lesser magicians charge for their services. Richy goes into great detail with examples and real life stories to prove his points.

The marketing portion is equally as detailed. Once you determine your true value, it’s time to put yourself out there and get recognition. There are so many ways to market yourself, and I know from experience Richy hits the nail on the head with many of his chapters… particularly ” Be Uncommon” and “Create realistic, specific, and demanding goals..” You aren’t David Copperfield.. but you also aren’t the magician down the street anymore. You’re a special performer.. a professional.. and you deserve to be treated like one.

Probably the one area magicians don’t understand most is.. selling. You HAVE to sell yourself. You have to set yourself above other locals. You have to show your clients why they should contract with you. What’s in it for them? Why are you worth your fee?

I’m so glad Richy Roy took time to go deep. At $49.95 THE WEALTHY MAGICIAN isn’t cheap, but he has made it worth the price. If you can learn to raise your fee even ten to twenty percent.. how much more will you make next year? This isn’t an investment in your magic library, it’s an investment in yourself and your future.

Honestly, if you can’t profit from this book, I don’t think you’re intended for the world of magic. Continue to give free and/or inexpensive shows and be happy. Don’t think about money. Not everyone should be a professional performer. But, if that’s your goal, and if you’re not going to rest until you’re making a good living as a magician, invest 50 bucks in your future. Don’t think twice…

$49.95 from dealers who carry the Murphy’s Magic line of products..

http://www.murphysmagic.com/product.aspx?id=62387

Promo video https://www.youtube.com/watch?v=-MdMlmaZ3TI

Review by.. Rick Carruth